Compositions and lyrics are the most valuable assets for any lyricist and musician. Every year they face heavy losses due to music theft. When your music is stolen or misused by anyone, the thought of filing a lawsuit is quite natural, but how can you ask agencies to pursue it if you don’t hold copyrights?
This is the point where songwriters and musicians need the help of a Music Publishing Company for professional assistance in protecting their anticipated earnings. You don’t acquire copyrights automatically after releasing your work. This article will show how a music publishing company helps you produce and disseminate your musical creations and ensure you fairly get paid for your work.
Whether your musical creation is getting aired on radio or streaming through web services, digital piracy and stream-ripping have always remained the most common form of copyright infringement in the era of Gen Z. A music publishing company is considered as the representative of musicians, composers, and songwriters to protect your intellectual property when many seasoned artists also get confused between copyright acquisition.
A music publishing company is dedicated to administering music publishing administrators, using all industry contacts and relationships, and ensuring that all artists get 100% compensation in the era of free downloading and streaming applications and online communities.
A music publishing company goes above and beyond to protect your rights, save you from scams and ensure optimal profitability by processing legal paperwork. They take all the hassle of negotiating terms of your contracts, registration, and licensing, ensuring compliance with the licensure requirements for a very small amount in the revenue as a fee.
The royalties, generated from the physical or digital reproduction and distribution of copyrighted music, including CD, cassette, digital downloads, and streaming services. The skilled financial and administrative teams in the music publishing companies proactively screen US and world markets for the total reproduction of your music for processing royalty claims per unit. In the USA, Mechanical Licensing collecting is the designated administrator and works with HFA to provide mechanical blanket license.
You can get up to 9.2% royalty when a copy is reproduced, irrespective of whether albums or singles are sold in the market. Whether they are physical records such as vinyl, tape, CD, and MP3 to sell, it gets queued for on-demand streaming on beats or Spotify. The list continues with the sales through digital retailer services such as iTunes, Amazon, and Beat port or sold as a ringtone.
Anytime your compositions are played publicly either through live performance or broadcasted via terrestrial and satellite radio or on cable TV networks or streams or played on speakers in a restaurant or mall or a bar or at any venue, your music publishing company will track down every potential source and correspond to get a royalty.
If you are a songwriter, you and your publisher can share an equal 50% of the royalty. In this regard, Performing Rights Organization (PRO) monitors the broadcasts and live performances and charges a blanket fee according to the station’s size. For local performances across the USA, get affiliated with ASCAP and submit information about your on-stage performance within the due date after the performance to get an exact amount.
If you have acquired a sync license, you and your publisher owe royalty on the placement of your soundtrack in a movie, TV show, advertisement, video game, or YouTube video. Opting for a sync license means that as an artist, you own the composition and the sound recording copyrights; you get both royalties.
Suppose you are a songwriter; you can get two types of placement fees that include the upfront placement by your production company and sync royalty for the times your song is played and reported to your PRO.
Suppose an advertisement firm or video maker or musician uses your sound bite or maybe a drumbeat or any other part of your musical invention. In that case, they first have to get your permission to use your originally written, composed, and recorded music and then obliged to pay you royalties for using it.
The owner of the master recording and the songwriter/publisher copyrights are eligible for both royalties whenever any other artist uses a sample from your original work.
When copyrighted music is transcribed for publishing, the songwriter/publisher gets paid for duplication in the print form and distributed such as sheet music, lead sheets, fake books, photos from performance pieces, etc. Print right is the least common form of payment, and the royalties, are based on the number of copies printed.
The US music industry generated the highest ever USD 14.99 Bn whooping revenue during 2020, distributed to different segments. It would be best to use your copyrights to get hold of your royalty streams. Navigating the complexities of royalties can be overwhelming, so giving the right time to your creativity, better trust a professional music publishing company and be ready to get paid rightful revenue generated by your passion.